Most people standing in the shadow of the Barcelona Cathedral are looking the wrong way. They’re staring at the spires, the gargoyles, the heavy weight of centuries of Catholic guilt. But turn around. Look at the building that looks like a 1960s office block had a head-on collision with a sketchbook. That’s the Col·legi d'Arquitectes de Catalunya, and those crude, childlike figures dancing across the facade? That’s Picasso. \n\nThis isn't a painting. It’s a sgraffito—a technique where you layer plaster and then blast it away with sand to reveal the dark stone underneath. Picasso didn't actually hold the sandblaster; he was eighty years old and living in France at the time. He sent the sketches, and a Norwegian artist named Carl Nesjar did the dirty work. The result is the 'Friso de la Sardana,' a massive, sprawling tribute to the Catalan national dance, the Sardana.
Type
Tourist attraction
Carrer de Montjuïc del Bisbe, 3
Ciutat Vella, Barcelona
A thousand years of silence tucked behind a Romanesque monastery, where the grit of El Raval dissolves into ancient stone, cool shadows, and the heavy weight of history.
Forget the plastic bulls and tacky magnets. This is where Barcelona’s soul is bottled into art, a small sanctuary of local design hidden in the shadows of the Gothic Quarter.
A raw, paint-splattered antidote to the sterile museum circuit. This is where pop-art meets the grit of the street, served straight from the artist’s hands in the heart of old Barcelona.
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